Let the End begin Anew: Bad Company UK are officially back! Download ‘Equilibrium’ for free via Dogs on Acid: http://dogsonacid.com/BCUK Catch all four members of…
Posts published in February 2016
Ivy Lab and Alix Perez have been astounding electronic music audiences for years throughout drum & bass and further afield with their own 20/20 and Shades projects respectively. Now in 2016 the two forces combine for a collaborative release like no other, drawing their own distinct styles to create the beautifully diverse, ‘Arkestra’ EP.
BAD TASTE RECORDINGS follow up their funk-fuelled introduction of MALUX into their fold with a brutal pair of hard-hitting tracks from Ukraine’s leading rising neurofunk stars AGRESSOR BUNX.
DLR & Ant TC1 kicked things off on Radio 1 and they’re proud to welcome one of their favourite DJs for the next mix – Klute.
With an exclusive VIP of ‘Visitation’ just featured on Radio 1, catch him at our London (B2B Dom & Roland), Bristol & Brighton shows.
Paul SG and Soul Deep Exclusives is proud to present the In My Life EP. The EP features the track, “In My Life”, which has been in my box for years, as well as “WONDER WHY”, a track I wrote for my first album that was never released. The EP also features a brand new remix that was done for the Greekboy song, “Deep In the Middle East”.
Mob Tactics is a name that is synonymous with high quality, tech-orientated Drum & Bass with a funky edge. Never to be pinned down to just one style, the South West, UK based production duo’s last offering, ‘Neon God’, branched out into the realm of big-room vocal anthems; whilst the flip, ‘Return of the Snitch’, showed their dark, techy underground side.
New blood Signal recorded an all encapsulating Critical DNB60 mix for Friction on BBC Radio1 – showcasing what Critical is all about – Past, present and future, Underground sonics all the way!
After a long and successful career as a DJ and producer, I decided at the end of 2014 that I would be hanging up my headphones and stepping back from the scene. This was down to a range of reasons such as wanting to focus more on our company Cygnus Music (a UK based digital Distributor) , but mainly because I found it increasing difficult to play out the style I wanted to represent which focussed around the big anthemic sounds of the late 2000’s.